There’s something magical about being on set or backstage, which I’m thankful has been a part of my life for the last 10 years. 

Photographic hair is so fun and is completely different to salon hair. It’s often those random bits that you would normally tuck away in the salon chair that make a shot work.

The energy on set is awesome, with an eclectic mix of creatives where the team development of an idea is born - this is what floats my boat. 

I like to describe show work as organised chaos, working the circuit around Australia, NZ and London in the capacity of Hair Director or as part of the hair team. To an outsider it would look quite manic, but everything and everyone is exactly where they should be. Some of my favourite shows to date include working on Vivienne Westwood, Chanel and CMEO.